Tag - Invisible Studio

BD – Architects’ Favourite Pubs

Original article in Building Design HERE

Piers Taylor writes: “My favourite pub is the Pub at Spencer, on the Hawkesbury River, 25 miles or so as the crow flies north of Sydney.

It doesn’t really have a name other than the Pub, and in the strictest terms, it isn’t really a pub. It’s a ‘Bottle Shop’ with a series of ramshackle chairs and only one very large table under the gum tree opposite and a wharf where you tie up your boat.

It’s only really accessible by boat, and of course it’s a badge of pride to arrive in the most battered tinny possible. The other option is a 50 mile twisting road. You buy your grog in the store, and then meander across the road with it. If you phone in advance, they’ll kill a chicken and barbeque it for you. I’ve spent a long time hanging out there, and done a great deal of head scratching there (I probably just needed a nit comb).

As much as the low key and ramshackle charm, there’s an astonishing, quite mesmerising physical beauty. It slaps you in the face makes you quite slack jawed with awe. The river has virgin bushland – unchanged for 50,000 years – that comes down to the water, and a series of mountains as a backdrop. The light changes radically throughout the day – in the morning, it is purple and lime green, and in the evenings an extraordinary orange that burns on the clouds in the distance.

There are pelicans, herons, cockatoos, dingoes, kangaroos, bush turkeys and benign jellyfish the size of dustbin lids. At night, the atmosphere changes again, and feels more than a little dangerous as you become increasingly intoxicated, with strange noises and the odd new arrival emerging from the surrounding pitch black bushland.

It’s a perfect place for just hanging out. I was told about it by my old friend – architect Lindsay Johnson who lives down the river and who is extraordinarily adept at passing time on the water’s edge in his swimmers, stubby in hand. It’s not on any tourist trail, and it’s a place where you meet strange passers by – drifters, travellers, old bush characters  – all seemingly living out on the edges. I love that atmosphere. Although it’s geographically close to the city, it feels a million miles from anywhere, and feels like a kind of frontier.

It was there that I dreamt up my practice, there among the cool summer breeze that blows in the afternoons and takes the heat out of the day. There among the winos, the weirdos, the drifters and the hobos. In my mind, the place still represents how a practice could operate.”

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AJ Planning Column

The AJ asked me to write a piece for the 6th Dec issue around UK Planning – This is the full article as printed:

At present, the British planning system is predicated against any development that doesn’t conform to a ubiquitous homogeneity and sit in a banal middle ground. It is a system that is fundamentally flawed and wastes vast amounts of time, money and resources writing misconceived and half baked design guides that discriminate against anything that doesn’t fit in to an unbelievably narrow pigeonhole – a pigeonhole with ‘been done before and didn’t upset anyone’ as it’s title. How on earth do we go from here to a system that should allow architects to do what they are trained to do – imagine the future?

Architects are locked in a seemingly never-ending battle with local authorities over design – an area, it should be remembered, where planners have no training. It is easy to imagine a system where planners do what they’re trained to do – plan – and leave the rest up for grabs for architects and individuals to act as they see fit.

In housing, undoubtedly the only thing that really matters is the big picture – the infrastructure, the streets, the relationships of buildings to one another, the open spaces, the mix, density and use, and local demand. I’ve no doubt this should be highly controlled – but everything else should be determined by architects, developers and self builders.

A new kind of local character could evolve from this – a diverse, dynamic local character that genuinely reflects place and context in an immediate way. Local character as defined by local authority typically means ‘as it was historically’ rather than ‘as it could be now’. Local character only ever truly evolved through an architecture of circumstance – an architecture where individuals used materials, skills, techniques as appropriate for them  – and it is this, a new architecture of circumstance that I am arguing for – an architecture where true local character and individual expression has a place.

For this to happen, planning guidance needs to change and planners need to stop meddling and micromanaging the areas outside their expertise. Almrere is an extraordinary example of this – an example of how planners can get it right. Almere, of course, is a planned city in Holland – a dense city with inherent flexibility at its core, and importantly, a city with a straight forward planning process for the easy bit – the buildings. Each plot comes with a ‘passport’, which is effectively a permit to build, and outlines the key (and important) restrictions – the gaps between houses, the relationship to the street, overall maximum height etc – and everything else is unrestricted. Home builders and architects are free to decide for themselves what the building can look like.

It’s mind boggling to imagine how much time and money we’d save in the UK if we adopted this type of system, not just for new towns, but also for infill sites in any city irrespective of its conservation area or world heritage status.  For example, each vacant site should be submitted for an outline consent specifying mix, density and use and the entire next step (that of detailed planning) omitted, and architects trusted to design buildings with no petty micromanaging from mealy mouthed planners. A new – and true – vernacular would begin to emerge over time, an exciting and diverse one where individual expression was valued and unregulated.

The irony, of course, is that most of the most interesting urban areas of the United Kingdom developed in this way up until the introduction of the planning system 70 years ago – and yet, under the current system, it is impossible to imagine that any comparable new build development could exist.

Piers Taylor 2012

Image of Almere, Holland above.

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Visible Man

Piers Taylor’s interview with Rory Olcayto in the Architects’ Journal

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Stillpoint Shoot

Stillpoint Dojo shot today by Elke Meitzel

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