Right Back At You, Rory.

Rory Olcayto makes a good point in the AJ (25 Sept) about the state of the profession. Much of what many of us ever get to do is ‘fiddle round the edges’ and limit damage, hoping we can smuggle some architecture in when no one’s looking. Most of what I’ve done for 20 years or so is fiddling around the edges, because that’s the bread and butter of small practice – you take what comes and try to make the most of it. I suspect the AJ is pretty immune from what the reality of small practice is for many of us who need to earn a living from what we do.

There’s a curious snobbery in the profession, though, that we’re supposed to be having a certain type of conversation, with a certain type of people. People that get ‘architecture’. I’ve been part of this conversation, and there’s not much there. I’ve sniggered too, at those poor ordinary people, those poor people who don’t speak our language. I’ve sniggered too at Grand Designs and all those makeover shows in the past, worried that it’s dumbing down this great profession of ours. I’ve been horrified too at the commodification of our profession, where our divine wisdom can be bought and sold or, worse, bestowed on ordinary people. I’ve run appalled and tainted back to the comfort of my ivory tower. It’s a pretty scary world out there Rory, and I’m with you, up to a point. Much better to put our blinkers on and pretend that we’re doing something significant or worthwhile because, well, it’s architecture, innit?

But more recently, in the desire to escape from this rarified world, and bored of all the conversations I was having, I’ve been wondering if there was a different type of conversation to be had. One that moved away form the hallowed pages of the journals or the vainglorious academic institutions, into (whisper it) the mainstream. I’ve started a conversation that attempted to engage these ordinary, non design literate people. I was interested to know if I was able to have a conversation that could be had on their terms, not mine. This is the conversation we’ve been having in £100k house, and by god, I can tell you, it’s a shed load more interesting that most of the conversations that I’m supposed to be having.

I’ve seen first hand how making the most modest change to a poor piece of design can transform a building for the owners. I’ve seen the cynical shit that most of this country are fed by their draftspeople, and I’ve seen first hand the extraordinary transformation in the quality of these people’s lives that can be made by a few small changes. I’ve seen how people can become empowered through taking control over their environment and making their house moderately better. Yup, I’ve had to swallow my pride, but many of us forget that architecture is something that the significant majority of this country are allowed no access to. The only thing that stops them from exposure to architecture is us. If I can possibly help change that in any way – well, that feels pretty good.

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The House That £100k Built

For the last year or so, I’ve been working as a presenter on the BBC 2 series £100k House with Kieran Long and Endemol. It’s been a fascinating journey, and fantastic to see how design can affect the lives of ordinary people. There are six episodes, each an hour long, all focusing on a different self build for less than £100k. The contributors are people with no self build experience and are not, typically, people who have historically prioritised design.

However, what has been extraordinary has been to see how design has the power to affect the lives of ordinary people. We’ve shown the contributors some exceptional buildings, and talked about how they might make their own buildings better through lessons learned from these exemplars.

Overwhelmingly, each contributor has, during the process of their build, become empowered to rise to the challenge of not just building cheaply, but building well – two things that we haven’t been very good at in the UK in recent years. They haven’t made design masterpieces in the conventional sense – this show isn’t property porn, and making one off design masterpieces isn’t the point – the point has been to prise architecture and design from the hands of the converted, and bring it into the realm of the mainstream and the affordable, and show how it can change the lives of ordinary people for the better.

It’s already been dubbed Modest Designs  – before it’s even aired. It’s invigorating to see what a chord the issues have struck with people bored with the same programmes, where design is presented as a luxury add-on for the lucky few. The buildings in this series have a quiet and straightforward  dignity. As Kieran said – there’s potentially a world where architects could act more like general practitioners serving the general public with straightforward and sound advice, rather than the rarified and exclusive world in which many of us architects tend to operate.

Piers Taylor and Kieran Long discussing the House that £100k Built on BBC Breakfast HERE

The first series begins on BBC2 on 18th September at 8.00pm.

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Caretaker’s House, Occupied (2)

Just been sent a series of images of the Caretaker’s House shot for Elle Decoration by Danish interior photographer, Birgitta Drejer (Sisters Agency). Always great to have shots of our work being used and occupied…

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