Invisible Studio

After an incredibly productive six years I am splitting from Mitchell Taylor Workshop, the practice I co-founded. We’ve done some great buildings, and achieved some extraordinary things.

But now, my vision now for a practice is a group of people bound together by a shared ethos, not by the organization itself. Not a limited company, but a creative organization that can be agile enough to morph, change, disband and agile enough to constantly reinvent itself; one fearless in pushing boundaries and imagining the future.

My vision isn’t an office with flat screen monitors and associates and directors and buzzy rhetoric about itself and timesheets and working hours and a logo and a corporate identity and a letterhead and chartered RIBA membership a website with Practice Profile Projects.

Instead, it is a studio that is beholden to no one, which is based everywhere and nowhere, which is a provocative and polemical vehicle for collaboration, experimentation, research and education, which works internationally and very locally, which collaborates with mathematicians, magicians, writers, carpenters, digital fabricators, boat builders and bicycle framers who can come and go and drop in and out; which recognizes the importance of raising children, of downing tools in summertime when the weather’s good, and doesn’t try to squeeze itself into the tiny and narrow confines of a pre-qualification questionnaire…

A studio that is an invisible studio.

A web site will evolve once we’ve found a graphic designer that doesn’t think logo and brand. We don’t have a business card and we don’t have articles of agreement, but we are really excited at the potential of an organization free from restrictions, boundaries and codes of conduct.

My favourite one below about my supposed ‘mid life crisis’!

 

Categories Invisible Studio, piers taylor Tags

Lecture in Vienna

GLENN MURCUTT AND EUROPE

Accompanying Programm to the Glenn Murcutt exhibition

Introduction and work presentation : Wed, January 25 2012, 7pm, Podium Az W (2)

CONTENT

Françoise Fromonot travelled to Australia in 1991 to research the work of Glenn Murcutt, who was almost entirely unknown in Europe at the time. The result was the book Glenn Murcutt. Buildings and Projects, which introduced his architecture to a European public for the first time. In a later edition he addressed Murcutt’s impact on the following generation primarily through his teaching work. Françoise Fromonot holds a brief lecture on Glenn Murcutt’s work and approach.

Piers Taylor is a partner in the architecture office Mitchell Taylor Workshop in Bath (UK). In 2001 he participated in the first annual Glenn Murcutt Master Class. In a presentation of works he talks about his own approach to architecture, which is deeply inspired by Murcutt — whose influence clearly goes beyonda purely formal translation of the architectural vocabulary.

SCHEDULE

7pm Dietmar Steiner, Az W, welcome address

7.10pm Francoise Fromonot, professor at the ENSA de Paris-Belleville:

Introductory lecture about Glenn Murcutt

7.45pm Piers Taylor, architect, Mitchell Taylor Workshop, Bath:

work presentation

Pictures from the talk, above

Categories Glenn Murcutt

Structures Over Water

2 radically different structures on adjacent waterways that bookended my day – the first, a lightweight fishing platform seen at high tide on the Hawkesbury River as I was running along its banks at sunrise; the second obviously the harbour bridge seen as I drove over in the evening… Think I prefer the fragile, simple and elegant beauty of the first…

Categories Uncategorized

Stillpoint

It’s finally nearing completion – the project that had the Heritage Lobby claim that it would singlehandedly revoke Bath’s world heritage status. I quite like the wobbly reveal.

Categories Riverpoint, Stillpoint